GOROD

ALLEGAEON :

Their latest full-length offering, The Ossuary Lens, is their seventh but, importantly, it’s the first with original vocalist Ezra Haynes since his 2015 departure following the Elements of the Infinite album. Replacing a singer is no easy task, so the fact that Haynes was in a place to rejoin is something to celebrate. The cleaner vocal approach on the last three albums was a fascinating artistic maneuver, one that refreshed Allegaeon, but it’s undeniably thrilling to hear Haynes’ graveled larynx back in the fold on this inarguably brutal and technically dazzling slab of work. The science-based lyrics are as challenging as the progressive musicianship, resulting in a set of songs that simply slay. It’s a sound that Haynes himself refers to as “melotech” (melodic, technical death metal). “I think in the beginning we were a little more stripped down,” adds Burgess. “Very guitar- forward, focused melodeath.

GOROD :

Avec “The Ember Gone”, Gorod signe son retour avec un huitième album plus progressif et ambitieux, dans la droite lignée du mythique “Transcendence”. Entièrement enregistré au Bud Studio par Mathieu Pascal, le quintet livre un opus technique, bien sûr, mais également riche en arrangements ciselés et en atmosphères envoûtantes. Son concept et ses paroles, profondément ancrés dans la réalité contemporaine, questionnent notre société actuelle. Une nouvelle pierre à l’édifice de l’un des groupes majeurs de la scène tech death internationale, qui n’attend plus qu’à être défendu sur scène.

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